Basuki, Ribut (1999) The Journey Of Truth: From Plato To Zola. k@ta, 1 (1). pp. 1-8. ISSN 1411-2639
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Abstract
Abstract
Western theater theory and criticism is generally considered to be set forth by the Greeks. Plato
was “the first theater critic” with his negative comments about theater owing to his idealistic views
about “the truth.” Then came Aristotle who used a different viewpoint from that of Plato, saying
that there is “truth” in theater. However, hostile criticism on theater came back in the Middle Ages,
championed by Tertulian before Aristotelian theory was revived by the neo-classicists such as
Scaliger and Castelvetro. Theater theory and criticism discourse was then made more alive by the
romanticists who disagreed with the neo-classicists’ rigid rules on theater. As the influence of
science became dominant in the theater world, naturalism and realism emerged and became the
mainstream of theater theory and criticism until well into the twentieth century.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | truth, theatre critics, dramatic theory, Plato, Aristotle, Romanticism, Neo-classic, realism, art, Horace, Longinus. |
| Subjects: | P Language and Literature |
| Divisions: | Faculty of Letter > English Department |
| Depositing User: | Admin |
| Date Deposited: | 11 Oct 2018 11:26 |
| Last Modified: | 23 Oct 2019 09:43 |
| URI: | https://repository.petra.ac.id/id/eprint/18624 |
