Hamilton: An American Founding Father�or an Other?

Hamilton is a highly successful musical, both critically and commercially, which has been applauded for its revolutionary inclusivity: the musical famously casts people of color, despite its characters being based on historical, living people who were not of color, including the towering figures of America�s �founding fathers�. A group of critics, however�minor yet nonetheless vital voices�have denounced this as
superficial diversity that perpetuates the erasure of people of color from history; as no main character is based on a historical person of color. While certain writers and reviewers have offered rebuttals, there is yet to be critical exposition that the character Hamilton himself, rather than a representation of the founding father, is instead a representation of what postcolonialists term �the other�; therefore making the work the opposite of an erasure of societally othered minority groups. As such, this paper examines, and later finds, that Hamilton�s Hamilton is indeed the epitome�and thus a prime representation, signaling undeniable presence�of the other in the text.